1995, Original Exhibition Poster, Russian Avant-garde, Costakis Collection, Lyubov Popova

135.00

Lyubov Sergeyevna Popova (Любо́вь Серге́евна Попо́ва; 1889 – 1924) was a Russian-Soviet avant-garde artist, painter and designer. She was one of the first female pioneers in Cubo-Futurism. Through a synthesis of styles she worked towards what she termed painterly architectonics. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy.

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Description

Original Rare Poster 

from 1995

 

ΡΩΣΙΚΗ ΠΡΩΤΟΠΟΡΙΑ– Rosiki Protoporia

1910 – 1930

Η ΣΥΛΛΟΓΗ Γ. ΚΩΣΤΑΚΗ

 

Russian Avantgarde

1910 -1930

Lyubov Popova

The G. Costakis Collection

 

National Gallery in Athens, Greece 

 

Dimension approx. 69.5 cm x 48.5 cm

 

The Russian avant-garde developed in the historical context and ideological milieu which paved the way for the Russian Revolution. Rayonism and Cubism-Futurism became the dominant movements in the Russian art scene in the early years after 1910. Later on, around 1915, two great movements, Suprematism and Constructivism, prevailed, alongside other Abstract movements. The Russian avant-garde today enjoys a prominent position in the history of 20th-century art. The Kostakis Collection, and the collector himself, played a decisive role in promoting and historically establishing the Russian avant-garde. The Kostakis Collection has been on display in leading international museums to international critical acclaim. Georgios Kostakis (1913-1990) was born in Russia to wealthy parents. He kept his Greek nationality. Enjoying the benefit of a salary in hard currency as an employee at the Canadian Embassy, ​​Kostakis began to collect Russian avant-garde artworks in 1946. The Kostakis Collection soon became unique in both size and importance. When Kostakis finally decided to leave Moscow with his family, in 1977, he left the largest part of his collection to the State Tretyakov Gallery. The most characteristic works from his donation came from Moscow to join the ones Kostakis had taken with him. Greece took a long time to honor this great Greek collector. Maybe this is why it paid off its debt with an imposing exhibition, far surpassing in scale and importance all previous exhibitions of the collection throughout the world. Comprising 568 exhibits (paintings, sculptures, drawings, constructions, applied arts), this exhibition was jointly organized by the National Gallery of Greece and the European Cultural Center of Delphi.

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Languages

Greek